Redemption. We all seek redemption. Most of us are seeking it from our past self for an idealistic future self in various forms. Writing Crime and Punishment for Fyodor Dostoyevsky is a creative redemption from his past and some of his brother, originally titled The Drunkards. Dostoyevsky became fond of this project and rewrote a version of it from scratch, that we take in our hands today and proudly read.
From the start of the novel, the author accomplishes to decipher that the protagonist, Raskolnikov, is tortured by his own thoughts. A student, as many, poverty-stricken, plans an instantaneous murder of an old pawnbroker, thinking it will delay his poverty for few more weeks, completely ignorant of the aftermath and having minimal self-control. This act of morality follows an aftermath which turns out to be psychological for Raskolnikov and the author spots an absolute scenario of what happens after one stands on the brink of insanity using Raskolnikov as his puppet until the protagonist is bring in contact with his own buried conscience and another sufferer. On the engagement of the book and one’s mind, one will indulge in it actively enough as the plot moves forward.
There is suspense in the novel no doubt. Dostoyevsky, in some amount succeeds in the main theme which he tries to revolve around the story: redemption. Characters like Raskolnikov do have a place in a reader’s mind once they have acquired his attention, for longer period of time. But novels like itself, fails to provide strong reasoning for characters who prove to be a drag thoughtout it. I am not going to name a few, you have to read it and judge it for yourself. My assessment is this, when moving forward the path author wants it to and so does the reader, then why a writer like Dostoyevsky would use elements to create a labyrinth, a maze which has no possible point to prove through the novel and does proves to be unnecessary?
Continue reading “Crime and Punishment and Redemption”